โปสเตอร์ Killing Eve พลิกเกมล่า แก้วตาทรชน (2018)

Killing Eve พลิกเกมล่า แก้วตาทรชน (2018)

ซีรี่ย์ฝรั่งซีรี่ย์ 2018อาชญากรรมดราม่า

ชื่อไทย
พลิกเกมล่า แก้วตาทรชน
ชื่อภาษาอังกฤษ
Killing Eve
ประเทศ
สหรัฐอเมริกา
ออกอากาศครั้งแรก
8 เมษายน 2561
จำนวนตอน
32 ตอน (4 ซีซัน)
ความยาวต่อตอน
ประมาณ 43 นาที
สถานะ
จบแล้ว
ตอนล่าสุด
EP8/8 (10 เมษายน 2565)
ช่อง/แพลตฟอร์มต้นทาง
BBC America
ผู้สร้าง
Phoebe Waller-Bridge
เรตผู้ชม
TV-14
คะแนน TMDB
7.9/10 (1,573 โหวต)

ดูได้ที่ไหน

เรื่องย่อ Killing Eve พลิกเกมล่า แก้วตาทรชน

Killing Eve พลิกเกมล่า แก้วตาทรชน เป็นซีรี่ย์ฝรั่ง ปี 2018 มีทั้งหมด 32 ตอน สถานะจบแล้ว

อีฟ โปลาสตรี เจ้าหน้าที่หน่วย MI6 จับพลัดจับผูลได้เป็นสายลับที่ได้รับมอบหมายให้ไล่ล่า วิลาเนลล์ นักฆ่ามือพระกาฬที่หาตัวจับได้ยาก ความเฉลียวฉลาดของเธอทำให้เจาะข้อมูลเบื้องหลังของวิลาเนลล์ได้อย่างเหลือเชื่อ แต่ยิ่งล้วงลึก ยิ่งทำให้เธอตกเป็นเป้าสังหารเสียเอง

Killing Eve พลิกเกมล่า แก้วตาทรชน ดูได้ที่ไหน (ถูกลิขสิทธิ์)

สตรีมมิ่ง (สมาชิก)

  • Netflix

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นักแสดง Killing Eve พลิกเกมล่า แก้วตาทรชน

  • แซนดร้า โอห์แซนดร้า โอห์รับบท Eve Polastri
  • Jodie ComerJodie Comerรับบท Villanelle
  • Fiona ShawFiona Shawรับบท Carolyn Martens
  • Kim BodniaKim Bodniaรับบท Konstantin Vasiliev
  • Owen McDonnellOwen McDonnellรับบท Niko Polastri
  • Sean DelaneySean Delaneyรับบท Kenny Stowton
  • Camille CottinCamille Cottinรับบท Hélène
  • Edward BluemelEdward Bluemelรับบท Hugo
  • Kirby Howell-BaptisteKirby Howell-Baptisteรับบท Elena Felton
  • Nina SosanyaNina Sosanyaรับบท Jess
  • Harriet WalterHarriet Walterรับบท Dasha Duzran
  • Gemma WhelanGemma Whelanรับบท Geraldine

ซีซันและรายชื่อตอน

รีวิว Killing Eve พลิกเกมล่า แก้วตาทรชน จากทีมงาน

เจาะลึก Killing Eve พลิกเกมล่า แก้วตาทรชน: เนื้อเรื่อง การสร้าง และเสียงวิจารณ์

Killing Eve is a British dramedy and spy thriller television series produced in the United Kingdom by Sid Gentle Films for BBC America and BBC Three. The series follows Eve Polastri (Sandra Oh), a British intelligence investigator tasked with capturing psychopathic assassin Villanelle (Jodie Comer). As the chase progresses, the two develop a mutual obsession. Based on the Villanelle novel series by Luke Jennings, each of the show's series is led by a different female head writer. The first series had Phoebe Waller-Bridge as the head writer, the second series Emerald Fennell, the third series Suzanne Heathcote, and the fourth series Laura Neal.

The first series premiered on BBC America on 8 April 2018, and on BBC iPlayer on 15 September 2018 through BBC Three. The third series premiered on 12 April 2020 for BBC America, and on 13 April 2020 for BBC iPlayer, and concluded on 31 May 2020. The fourth (and final) series premiered on 27 February 2022 on BBC America, 28 February 2022 on BBC iPlayer and 5 March 2022 on BBC One and concluded on 17 April 2022.

The first two series were critically acclaimed, but the last two series received more mixed reviews. The fourth series, and its final episode in particular drew significant backlash from critics and audiences. The show broke weekly ratings increase records, and received several accolades, including British Academy Television Award for Best Drama Series. Both Oh and Comer were praised for their performances, winning the Golden Globe Award for Best Actress – Television Series Drama and the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series, respectively. Comer and Fiona Shaw also received British Academy Television Awards for their performances.

Synopsis

In the first series, Eve is bored with her protection role in MI5 and, after brashly investigating the behind-the-scenes murder of a witness she is handling, she is fired. However, her passion for female assassins later leads to her joining an undercover division within MI6 whose task is to pursue and locate Villanelle, a ruthless international assassin who works for a secret organization called The Twelve. When Eve and Villanelle cross paths, they begin a cycle of obsession which leads them away from their individual missions and closer to each other.

In the second series, after a violent encounter at the end of series one, Eve and Villanelle resume their obsessive relationship while continuing their separate missions. Eve works to solve kills set by The Twelve while Villanelle continues to kill for The Twelve; however, after a new killer appears on the scene, the focus changes for The Twelve and MI6, as both women are pitted to work with each other. A dangerous mission leads Eve and Villanelle to Rome where their own lives are at stake.

The third series picks up six months after the fallout of the mission in Rome. Eve, traumatised by her near-death experience at the hands of Villanelle, quits MI6 and begins living a low-profile existence, whilst Villanelle attempts to discover new ways of earning a living after she stops killing for The Twelve. However, the unexpected arrival of her former Twelve trainer leads Villanelle to question who she really is and if killing is what she's made for, whereas Eve begins looking into The Twelve again after they murder someone close to her, leading both women to cross paths once more.

The fourth and final series picks up soon after the third with Eve now desperate for revenge on The Twelve whilst Villanelle is eager to change for Eve. However, due to their different outlooks on their personal missions, Eve and Villanelle begin to clash leading them off into their separate directions but both eventually aiming for the same goal, destroying The Twelve.

Main

Sandra Oh as Eve Polastri, an analyst with MI5 who becomes tirelessly preoccupied with a notorious assassin and is recruited on an off-the-books basis to the foreign intelligence agency MI6

Jodie Comer as Oksana Astankova / Villanelle, a psychopathic and skilled assassin, who becomes obsessed with the MI6 officer who is tracking her

Comer also plays "Jesus Christ" (who appears as Villanelle in drag), with Penny Ashmore as her body double (recurring series 4)

Fiona Shaw as Carolyn Martens, head of the Russia Section at MI6

Imogen Daines as Young Carolyn / "Janice" (guest series 4)

Kim Bodnia as Konstantin Vasiliev, Villanelle's handler

Louis Bodnia Andersen as Young Konstantin / "Karl" (guest series 4)

Owen McDonnell as Niko Polastri, Eve's English-Polish husband, a maths teacher and bridge player (series 1–3; guest series 4)

Sean Delaney as Kenneth "Kenny" Stowton, Carolyn's son, an ex-hacker who has been recruited by MI6. He later becomes a journalist for Bitter Pill. (series 1–3)

Darren Boyd as Frank Haleton, Eve's supervisor at MI5 (series 1)

David Haig as Bill Pargrave, Eve's MI5 associate who comes with her to MI6 (series 1; guest series 4)

Kirby Howell-Baptiste as Elena Felton, Eve's assistant (series 1; guest series 4)

Nina Sosanya as Jess, an experienced MI6 agent now working as a part of Eve's team (series 2)

Edward Bluemel as Hugo Turner, a wealthy Oxford graduate, who is working as a part of Eve's team at MI6 (series 2; recurring series 4)

Henry Lloyd-Hughes as Aaron Peel, the heir to a tech company following the assassination of his father, mogul Alistair Peel (series 2)

Adrian Scarborough as Raymond, a member of the Twelve and one of Villanelle's former handlers (series 2)

Adeel Akhtar as Martin, the British Intelligence expert on psychopaths (series 2 and 4)

Raj Bajaj as Mo Jafari, a new MI6 agent working for Carolyn (series 3)

Turlough Convery as Bear, Kenny's colleague at Bitter Pill (series 3)

Steve Pemberton as Paul Bradwell, an MI6 supervisor (series 3)

Danny Sapani as Jamie Hayward, Kenny's boss at Bitter Pill (series 3)

Harriet Walter as Dasha Duzran, a hard-bitten one-time Olympic gymnast turned spy, Villanelle's former trainer and mentor (series 3)

Gemma Whelan as Geraldine Stowton, Carolyn's daughter and Kenny's older sister (series 3)

Camille Cottin as Hélène, a high-ranking member of the Twelve (series 3–4)

Anjana Vasan as Pamela "Pam" Palmeira, Hélène's newest assassin recruit who works at a funeral home (series 4)

Robert Gilbert as Yusuf, Eve's associate (series 4)

Laurentiu Possa as Vladimir "Vlad" Betkin, Carolyn's Russian associate (series 4; guest series 1)

Ingvar Sigurdsson as Lars Meier, a member of the Twelve who has ties with Carolyn (series 4)

Siggi Ingvarsson as Young Lars / "Johan" (guest series 4)

Marie-Sophie Ferdane as Gunn, a seasoned assassin for the Twelve (series 4)

Recurring

Sonia Elliman as Madame Tattevin, Villanelle's neighbour at her apartment building in Paris (series 1; guest series 2)

Billy Matthews as Dominik Wolanski, a young bridge player (series 1)

Olivia Ross as Nadia Kadomtseva, an assassin for the Twelve and Villanelle's former love interest (series 1)

Susan Lynch as Anna, Villanelle's former languages teacher and love interest (series 1)

Yuli Lagodinsky as Irina Vasilieva, Konstantin's young daughter (series 1, 3–4)

Shannon Tarbet as Amber Peel, Aaron's sister (series 2)

Emma Pierson as Gemma, a teacher colleague of Niko's (series 2)

Jung Sun den Hollander as Jin / The Ghost, a rival assassin hired by Aaron (series 2)

Ayoola Smart as Audrey, Kenny's girlfriend and a co-worker at Bitter Pill (series 3)

Alexandra Roach as Rhian Bevan, a rival assassin for the Twelve (series 3)

Steve Oram as Phil, a vicar (series 4)

Zindzi Hudson as May, Phil's daughter (series 4)

Manpreet Bachu as Elliot Palmeira, Pam's brother and boss at the funeral home (series 4)

Anyastassia Melehes as Chloe, Hélène's daughter (series 4)

Monica Lopera as Fernanda, Lars' ex-wife and Hélène's ex-lover (series 4)

Anna-Maria Everett as Benita, Carolyn's temporary caretaker in Havana, Cuba (series 4)

Josh Zaré as Darren, a carnival worker who falls for Pam (series 4)

Guest

Remo Girone as Cesare Greco, a target of Villanelle's (series 1)

Charlie Hamblett as Sebastian, a neighbour of Villanelle's with whom she begins a relationship (series 1)

Edward Akrout as Diego, a know-it-all assassin working with Villanelle (series 1)

Ken Nwosu as Max Sanford (series 1)

Julian Barratt as Julian, an older man who lets Villanelle stay with him (series 2)

Zoë Wanamaker as Helen Jacobsen, a senior British Intelligence official and Carolyn's boss (series 2)

Dominic Mafham as Charles Kruger, the accountant for the Twelve (series 3)

Rebecca Saire as Bertha Kruger, the wife of Charles (series 3)

Evgenia Dodina as Tatiana, Oksana's mother (series 3)

Predrag Bjelac as Grigoriy, Tatiana's new husband (series 3)

Production

Sally Woodward Gentle, of Sid Gentle Films, optioned Luke Jennings's Codename Villanelle in 2014, saying that "the notion of a female assassin was not unique", but that Jennings's take was "fresh, intelligent and tonally much bolder than others", adding that she was particularly interested because "It wasn't exploitative. We really enjoyed the character of Villanelle and the inventiveness of her kills, but we were particularly engaged with the mutual obsession between the women". Jennings's story began as a four-part novella published between 2014 and 2016. Following the stage success of Fleabag, Phoebe Waller-Bridge was recruited to write the show, which was then commissioned by BBC America in November 2016.

Casting

Sandra Oh was the first to be cast in June 2017, as the title character Eve Polastri, and IMG agreed distribution rights later that month. Oh reportedly was confused over which character she would be playing when she first received a breakdown, thinking that she would not have the option to audition for the young assassin and not even considering the lead. Later her agents informed her that she would be reading for the role of Eve.

For the role of Villanelle, the production considered over 100 actresses before Jodie Comer was cast, about a month after Oh. Sally Woodward Gentle told Backstage that the production "didn't want Villanelle to be like Nikita or The Girl With the Dragon Tattoo—that male fantasy version of what a woman who'd come for them might look like. We wanted her to be able to disappear into a crowd". Comer's first audition involved acting out the kitchen scene from "I Have a Thing About Bathrooms" with Oh, where the two clicked.

Initially, Waller-Bridge considered casting herself as either Eve or Villanelle, but discarded this idea as she wanted a larger age gap between the leads. Kirby Howell-Baptiste was cast as Elena in August 2017.

In August 2019, Deadline Hollywood announced that Harriet Walter and Danny Sapani had joined the cast for the third series. More cast additions were revealed in November, including Gemma Whelan, Predrag Bjelac, Camille Cottin, Steve Pemberton, Raj Bajaj, Turlough Convery, and Evgenia Dodina.

Filming

Filming for the first series began on 17 July 2017 in Tuscany, extending to further locations in Paris, Berlin, Bucharest, Cheshunt, Turville, London and West London Film Studios. The Viennese Cafe opening scenes were shot at Bar Garibaldi in Colle di Val d'Elsa, a small hilltop town north west of Siena, Tuscany. The building used as Eve's base is in Warwick House Street, just off Trafalgar Square. In the London pub scene, the external shot shows The Albert pub in Victoria Street; the interiors were of the dark-panelled Old Nick in Sandland Street. In episode three, Villanelle lures David Haig's character Bill Pargrave into tailing her out of Berlin Friedrichstraße station and along a neighbouring Berlin tramway street before entering a busy nightclub, the location of which was Fabric, opposite London's Smithfield Market. Bucharest's neoclassical Romanian Athenaeum concert hall was converted into a decadent café for the penultimate Moscow scene. Filming also took place at Nell's Café, a popular roadside café off the A2 near Gravesend in Kent, as well as at the nearby M2 motorway. Filming also took place at the Radcliffe Camera in Oxford and production concluded on 15 December 2017.

Production for the second series began on 16 July 2018 and concluded on 14 December.

Filming for the third series began in August 2019, Filming locations included Viscri and Comandău in Romania. Additionally, several locations were used in Barcelona, Spain, among them the Arc de Triomf on Passeig de Lluís Companys and the Port Vell Aerial Tramway. The interior of Villanelle's Barcelona apartment was shot inside the Casa Ramos, a noted Modernista apartment block in the Plaça de Lesseps which was designed in 1906 by the architect Jaume Torres i Grau. Production for the third series ended in January 2020 in London.

Filming for the fourth and final series began on 7 June 2021 and ended on 6 November 2021. Margate in Kent features throughout Episodes four to seven, with filming taking place on the beach, various streets, Dreamland, the Nayland Rock Hotel and Sands Café.

Music

The band Unloved, featuring Jade Vincent, Keefus Ciancia, and David Holmes, were commissioned to score the series.

Renewal

Shortly before its premiere, Killing Eve was renewed for a second series. Luke Jennings's sequel, Killing Eve: No Tomorrow, was published in March 2019, shortly before the second-series premiere; the book is said to diverge from the television series, but also to "share common DNA" because of Jennings's continued collaboration with the creators. In July 2018, The Hollywood Reporter reported that Waller-Bridge delegated some responsibility for the second series, hiring Emerald Fennell as head writer, and Lisa Brühlmann and Francesca Gregorini as directors.

Less than twelve hours after the premiere of the second series, BBC America renewed the series for a third. Suzanne Heathcote served as showrunner, so that each new season of Killing Eve brought on a new female showrunner.

On 3 January 2020, Killing Eve was renewed for a fourth series ahead of the premiere of the third series. On 20 February, Laura Neal was announced as the head writer as well as an executive producer of the fourth series. In March 2021, it was confirmed that the fourth series would be its last.

Episodes and broadcast

In the United Kingdom, the first series was shown on BBC One in September 2018 and as stream-only on BBC Three. The first episode was broadcast on 15 September 2018, and seen by 8.25 million viewers within the first twenty-eight days. The second series was released in its entirety on BBC iPlayer on 8 June 2019, with its first episode being shown on BBC One the same day.

The third series was released 6 am every Monday from 13 April 2020 on BBC iPlayer.

Irish broadcaster RTÉ2 was the first broadcaster in Europe to premiere the show, with the first episode broadcast to 76,000 viewers on 27 August 2018. The final series will premiere on 1 March 2022 on RTÉ One.

In New Zealand, second-series episodes premiered two days before their US broadcast on TVNZ Ondemand. Episodes will air on TVNZ 2 the same day as the US broadcast. The second series began broadcasting on 7 April 2019, shown concurrently in the United States by both BBC America and AMC.

In Canada, the series debuted on 22 July 2018 on Bravo! The series continues to be broadcast on the channel which is now branded as CTV Drama Channel. It is also available on the Canadian streaming network Crave.

On 14 February 2020, it was announced that the third series would premiere on 26 April 2020; however, the premiere date was later moved up to 12 April 2020.

Intertwined characterisations

In The New Yorker, Jia Tolentino characterised both Polastri and Villanelle as "deeply strange" and possessed of a "wild, unlikely interior weirdness and flux", writing that it seemed equally possible that they "could team up, or try to kill each other, or fall into bed". Judy Berman wrote in The New York Times that Agent Polastri tracks assassin Villanelle not as hero and villain but as "two broken women whose flaws bind them together in a twisted pas de deux". Villanelle is romantically interested in women and, as Willa Paskin wrote in Slate, is captivated by Polastri perhaps in part because of a "shared brusqueness".

Despite being enemies professionally, both characters are professional, child-free women, "hard-working, ambitious, and slightly obsessive", whose respective worlds "betrayed and deceived them at every turn". Melanie McFarland wrote in Slate that they are "two of a kind" and "can trust in each other's constancy", with Priscilla Frak writing in The Huffington Post that both women are "fueled by a volatile cocktail of ambition, curiosity and morbid adoration". Angelica Jade Bastién wrote in Vulture that, with Eve, Villanelle "feels something beyond (the) crushing boredom" she normally experiences, while Eve looks at Villanelle as "an escape into feminine excess". Perceiving "mirror-image similarities between them, for the good and the bad", executive director Emerald Fennell posited the question, "What does it look like when a psychopath starts to learn how to feel things, and when a woman who's incredibly empathetic and intuitive starts to lose those parts of herself?"

Fennell also said that the Eve and Villanelle relationship will always be the core of the show, in accordance with the perception of BBC reviewer Caryn James who wrote that the "series' true allure is the deeply complicated love-hate dynamic between those two characters", NPR's reviewer Terry Gross' view that the character dynamic "sets Killing Eve apart from other thrillers", and a Dan Snierson review in Entertainment Weekly that the series portrays "TV's most mesmerizing, twisted relationship".

Contrast, conflict and attraction

Jia Tolentino wrote in The New Yorker that the "amoral" Villanelle's existence is "saturated with pleasure", in contrast to Eve's career as a "bored security-state functionary". Series writer Phoebe Waller-Bridge explained that Polastri has a "sense of self-consciousness and guilt" that cripples her – a perfect counterpoint to Villanelle, who, as Ashley Boucher noted in TheWrap, only does things that might bring joy.

Hanh Nguyen wrote in IndieWire that, even when Villanelle invades her home Eve "can't quite capture who Villanelle is as a person" since the assassin always seems to be a few steps ahead, and that Polastri, possessed of a "frustrating attraction", "keeps banging her head on the enigmatic wall that is Villanelle". Melanie McFarland wrote in Salon that, though Villanelle has the opportunity to kill Polastri during the break-in, forces within Villanelle – despite having been "raised to kill without guilt or concern" – compel her to want Polastri alive.

Angelica Jade Bastién wrote in Vulture that, after Villanelle manipulates Polastri into committing a brutal murder, the women are "finally stripped of their proxies, and the electric tension between them is laid bare". Sandra Oh described Polastri's ultimately misguided belief that she is "special" enough to control Villanelle, that they have a "special" connection, but — upon telling Villanelle that Villanelle doesn't know what love is — learns otherwise: Villanelle shoots her, a counterpoint to Eve having stabbed Villanelle earlier. Villanelle had later reflected on Polastri's having stabbed her, "Sometimes when you love someone, you will do crazy things".

Social, thematic and creative context

Both the protagonist and antagonist of Killing Eve are women. Matt Zoller Seitz in Vulture wrote that this is an "immediately distinguishing difference" between the show and other stories in the "cat-and-mouse thriller" genre, "where both the main investigator and the main baddie tend to be men". Willa Paskin in Slate made a similar remark, referring to both leads being women as "an unexpected setup for a murder show".

BBC America president Sarah Barnett commented that "there is a marvelous sea change happening where we are profoundly shifting away from an invisible, unconscious assumption that the big stories have men at the center, and anything else is a subset of that". Seitz also noted that, even in contrast to films such as The Silence of the Lambs and Hannibal in which one lead character is female, the conflict between Polastri and Villanelle is more equal despite the fact one entered as "an MI5 paper-pusher" and the other as an experienced assassin. Along similar lines, Melanie McFarland wrote in Salon that most feminist narratives are framed in terms of a male-female dynamic, but Polastri and Villanelle explore "patriarchy's impact on the already delicate complexities of female relationships": though sisterhood is powerful, "it's also complicated and devoid of guarantees" and "can be false and a trap".

Ben Goldberg wrote in Into that the relationship between Polastri and Villanelle — "often sexual, at times romantic, and occasionally vengeful" — "resists simple categorization". Their mutual affectation suggests an alternative lifestyle, the couple performing an "elaborate dance, edging closer to one other while always being just slightly out of reach". The characters’ mutual interest is "rooted in a desire of an unknown — a life away from the men that presently structure their lives".

Relationships and sexuality

Showrunner-writer Phoebe Waller-Bridge remarked that the characters "give each other life in a way that's more complex than a romantic relationship. It's sexual, it's intellectual, it's aspirational." Along these lines, Melanie McFarland wrote in Salon that the show's "careful awareness of the love languages of fashion, music and setting all play roles in strengthening (the audience's) affair" with the characters. Hannah Giorgis wrote in The Atlantic that its "greatest success" is how alluring it makes Villanelle to an intelligence agent dedicated to tracking her down. Calling Killing Eve a "sexually charged female-buddy-comedy espionage nailbiter", Jenna Scherer wrote in Rolling Stone that the actresses "share a crackling chemistry, one that situates them in a gray realm between bitter enemies and would-be lovers".

Shannon Liao noted in The Verge that "some say that demanding physical expressions of sexuality or other concrete confirmations of queer relationships... can erase subtler, more complex relationships", and that this pair's mutual obsession "ventures into homoerotic territory" without explicit physical consummation. Accordingly, the show has largely escaped criticisms of "age-old issues dealing with LGBTQ representation on-screen, like queerbaiting or male-fantasy lesbianism", with Liao concluding that "Killing Eve is one of the only shows pushing the envelope in the espionage genre on race, gender, and sexuality". Natalie Adler wrote in BuzzFeed News that the show is about "femme power, femme cruelty, femme treachery—an explicitly queer power, one that doesn't suffer cis men". Kate Arthur wrote in Buzzfeed News that this relationship "has never before existed between women on television: a queer will-they-or-won't-they romance in which one suitor is an admitted psychopath".

Portrayals

Jia Tolentino wrote in The New Yorker that the "women are deeply strange, forming a collective study in improbable contrasts, strung together by each actor's charisma". Matt Zoller Seitz wrote in Vulture that Oh's performance as Polastri actually makes Villanelle's character feel more plausible – as "an incarnation of Eve's sublimated aggression and assertiveness". Though Jia Tolentino wrote in The New Yorker that Villanelle's character "works" because of Comer's "mercurial, unassailable charisma", and Willa Paskin wrote in Slate that Comer's Villanelle (twisted and conscienceless but also irrepressible) is "flat-out incredible" and Mike Hale agreed in The New York Times that Comer is good in that "showier part". Hale added that it is Ms. Oh who ensures the series is "more than a cute gloss on the glamorous international caper."

เนื้อหาส่วนนี้มาจากบทความ "Killing Eve" ในวิกิพีเดีย (en.wikipedia.org) เผยแพร่ภายใต้สัญญาอนุญาตครีเอทีฟคอมมอนส์ แสดงที่มา-อนุญาตแบบเดียวกัน 4.0 (creativecommons.org/licenses/by-sa/4.0) มีการตัดส่วนอ้างอิงและจัดรูปแบบใหม่

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