โปสเตอร์ The Pitt เดอะ พิตต์: นรกอีอาร์ (2025)

The Pitt เดอะ พิตต์: นรกอีอาร์ (2025)

งานไม่เคยหยุด

ซีรี่ย์ฝรั่งซีรี่ย์ 2025ดราม่า

ชื่อไทย
เดอะ พิตต์: นรกอีอาร์
ชื่อภาษาอังกฤษ
The Pitt
ประเทศ
สหรัฐอเมริกา
ออกอากาศครั้งแรก
9 มกราคม 2568
จำนวนตอน
30 ตอน (3 ซีซัน)
ความยาวต่อตอน
ประมาณ 50 นาที
สถานะ
ยังฉายอยู่
ตอนล่าสุด
EP15/15 (16 เมษายน 2569)
ช่อง/แพลตฟอร์มต้นทาง
Max, HBO Max
ผู้สร้าง
R. Scott Gemmill
เรตผู้ชม
TV-MA
คะแนน TMDB
8.7/10 (1,008 โหวต)

ดูได้ที่ไหน

เรื่องย่อ The Pitt เดอะ พิตต์: นรกอีอาร์

The Pitt เดอะ พิตต์: นรกอีอาร์ เป็นซีรี่ย์ฝรั่ง ปี 2025 มีทั้งหมด 30 ตอน สถานะยังฉายอยู่

การปฏิบัติการสุดสมจริงของบุคลากรทางการแพทย์ผู้เผชิญความท้าทายในอเมริกายุคปัจจุบัน

The Pitt เดอะ พิตต์: นรกอีอาร์ ดูได้ที่ไหน (ถูกลิขสิทธิ์)

สตรีมมิ่ง (สมาชิก)

  • HBO Max

เปิดแอปหรือเว็บไซต์ของผู้ให้บริการแล้วค้นหาชื่อเรื่องนี้ได้เลย ข้อมูลผู้ให้บริการในประเทศไทยจาก JustWatch อาจเปลี่ยนแปลงตามสัญญาลิขสิทธิ์ของแต่ละแพลตฟอร์ม

นักแสดง The Pitt เดอะ พิตต์: นรกอีอาร์

  • โนอาห์ วายลีโนอาห์ วายลีรับบท Dr. Michael 'Robby' Robinavitch
  • Patrick BallPatrick Ballรับบท Dr. Frank Langdon
  • Katherine LaNasaKatherine LaNasaรับบท Charge Nurse Dana Evans
  • Supriya GaneshSupriya Ganeshรับบท Dr. Samira Mohan
  • Fiona DourifFiona Dourifรับบท Dr. Cassie McKay
  • Taylor DeardenTaylor Deardenรับบท Dr. Melissa King
  • Isa BrionesIsa Brionesรับบท Dr. Trinity Santos
  • Gerran HowellGerran Howellรับบท Student Doctor Dennis Whitaker
  • Shabana AzeezShabana Azeezรับบท Student Doctor Victoria Javadi
  • Amielynn AbelleraAmielynn Abelleraรับบท Nurse Perlah Alawi
  • Brandon Mendez HomerBrandon Mendez Homerรับบท Nurse Donald 'Donnie' Donahue
  • Kristin VillanuevaKristin Villanuevaรับบท Nurse Princess

ซีซันและรายชื่อตอน

รีวิว The Pitt เดอะ พิตต์: นรกอีอาร์ จากทีมงาน

เจาะลึก The Pitt เดอะ พิตต์: นรกอีอาร์: เนื้อเรื่อง การสร้าง และเสียงวิจารณ์

The Pitt is an American medical drama television series created by R. Scott Gemmill and executive produced by John Wells and Noah Wyle. It is Gemmill, Wells, and Wyle's second collaboration; they previously worked together on ER (1994–2009). It stars Wyle, Tracy Ifeachor, Patrick Ball, Katherine LaNasa, Supriya Ganesh, Fiona Dourif, Taylor Dearden, Isa Briones, Gerran Howell, Shabana Azeez, and Sepideh Moafi. Each season follows emergency department staff at a fictional Pittsburgh Trauma Medical Center as they navigate a single 12-hour shift amid staff shortages, underfunding, and personal crises. Each episode is set in real time and depicts approximately one hour of the shift.

The Pitt premiered on Max (later rebranded as HBO Max) on January 9, 2025. The series has received critical acclaim for its performances, writing, direction, format, and realism. It has also been praised by physicians and medical publications for its accuracy, realistic representation of healthcare workers, and portrayal of the stressors faced by medical staff in a post-pandemic world. The Pitt was renewed for a second season in February 2025, which premiered on January 8, 2026. In January 2026, ahead of the second-season premiere, the series was renewed for a third season.

The series has received several accolades, winning eleven awards at the Primetime Emmy Awards, including Outstanding Drama Series (two wins) and Outstanding Casting (two wins), along with acting wins for Wyle (two wins) and LaNasa (one win). It also received Best Television Series – Drama at the 83rd Golden Globe Awards. Additionally, it was listed as one of the 10 best television programs of 2025 by the American Film Institute.

Premise

In the first season, attending physician Dr. Michael "Robby" Robinavitch starts a shift at the Pittsburgh Trauma Medical Center's emergency room (ER), nicknamed "the Pitt". Four trainee doctors join the team. Throughout the next fifteen hours, the students and residents learn more about their professional duties, while trying to deal with the emotional toll of patient care and the hardships of working in an overcrowded and underfunded ER. They are guided by Robby and the Pitt's other staff members. Meanwhile, Robby struggles to cope with traumatic memories resurfacing on the fourth anniversary of his mentor's death, which happened in the Pitt during the COVID-19 pandemic.

The second season takes place ten months later, on the 4th of July. Robby meets the attending physician who will be taking over for him while he is on a three-month sabbatical. A staff member returns from time away, while two medical students and a nursing school graduate join the team.

Cast and characters

In decreasing order of seniority, the medical hierarchy begins with the attending physician, followed by senior residents, junior residents (categorized by year), interns (first-year residents), and finally, medical students (categorized by year). Nurses and other medical staff have their own hierarchy not listed here.

Noah Wyle as Dr. Michael "Robby" Robinavitch, a senior attending physician at the Pitt. He cares about his hospital, staff, and patients but is struggling with PTSD from the COVID-19 pandemic. In season two, he is suffering from burnout and depression, and plans to take a sabbatical.

Tracy Ifeachor as Dr. Heather Collins (season 1), a senior resident who is secretly pregnant. She and Robby have a romantic past.

Patrick Ball as Dr. Frank Langdon, a quick-witted senior resident. He is found to be struggling with addiction and stealing medication from the hospital, and is sent home by a furious and betrayed Robby toward the end of season one. He returns in season two having gone to rehab.

Katherine LaNasa as Dana Evans, the no-nonsense day-shift charge nurse. She puts on a strong front but is compassionate when the staff or patients need her.

Supriya Ganesh as Dr. Samira Mohan (seasons 1–2), a third-year, and later fourth-year, resident trying to find balance between diligence and speed.

Fiona Dourif as Dr. Cassie McKay, an empathetic, 42-year-old second-year, and later third-year, resident. She is raising her young son, Harrison, as a single mother. During the first season, she is on house arrest and wears an ankle monitor due to a past criminal conviction.

Taylor Dearden as Dr. Melissa "Mel" King, a neurodivergent second-year, and later third-year, resident with an autistic twin sister. Mel connects with Langdon in season one and is one of the few staff members who seem happy about his return in season two.

Isa Briones as Dr. Trinity Santos, a cocky, ambitious intern and later second-year resident. Although she can come off as cold, Santos lets Whitaker, whom she nicknames "Huckleberry", live with her after learning he is homeless in season one. She also has a complicated relationship with surgical resident Dr. Yolanda Garcia in season two.

Gerran Howell as Dr. Dennis Whitaker, a gentle but naive fourth-year medical student. He becomes a doctor by the second season and mentors two new medical students.

Shabana Azeez as Victoria Javadi, a 20-year-old third-year, and later fourth-year, medical student whose parents are also physicians at PTMC. In season two, she is also a medical influencer going by the name "Dr. J".

Sepideh Moafi as Dr. Baran Al-Hashimi (season 2–present), a new attending physician at the Pitt who arrives as Robby's interim replacement ahead of his sabbatical.

Ayesha Harris as Dr. Parker Ellis (season 3; recurring seasons 1–2), a night shift senior resident.

Development

From the 1990s, actor Noah Wyle and television producers R. Scott Gemmill and John Wells worked together on the set of the medical drama television series ER, which aired from 1994 to 2009. ER became successful throughout its run, influencing subsequent medical drama series. After its end, Gemmill and Wyle purposefully pursued projects unrelated to the genre, with Gemmill saying he thought he "would never do a medical show again, because we had done it so well". In 2020, Wyle began receiving an influx of direct messages on Instagram and fan mail from first responders working in the healthcare system, thanking him for inspiring them to pursue emergency medicine, with his role as Dr. John Carter in ER, and talking about their struggles during the ongoing COVID-19 pandemic. Wyle shared many of the messages with Wells, with whom he thought he could make a television series dealing with the contemporary challenges faced by healthcare workers and the spread of health misinformation. Meanwhile, Gemmill began thinking about possibilities to innovate the genre of the medical drama after having a conversation with a fellow television writer. Gemmill, Wells, and Wyle kept in contact with each other and with other ER collaborators, such as television writer and ER doctor Joe Sachs, who shared his experiences in the healthcare system.

Over the next few years, Gemmill, Wells, and Wyle began sharing their ideas and developing an ER spin-off focused on Carter, also recruiting Sachs and other ER collaborators such as Mel Herbert. However, Warner Bros. Television could not come to an agreement with the estate of ER creator Michael Crichton, overseen by his widow, Sherri Alexander Crichton, leading to the project being abandoned. Nevertheless, Max, a streaming service affiliated with Warner Bros. Discovery, expressed their interest in making a medical drama series starring Wyle with the team. At the time, Max CEO Casey Bloys was searching for a network-style procedural drama that could keep audiences engaged for several weeks. Additionally, he sought to expand the service's library with original releases and define the characteristics of a "Max Original", as opposed to the HBO series that Max also offers. The team began developing The Pitt after the end of the Writers Guild of America's strike in the fall of 2023. After switching to Max, Gemmill initially thought of adopting the narrative device of real time, following a twelve-hour shift at the hospital, due to the time constraints of direct-to-stream series, which are usually afforded a maximum of twelve episodes. Instead, Bloys suggested doing fifteen episodes, wanting to reduce the wait time in between seasons and avoid it feeling "like an extension of a streaming show".

In March 2024, Max gave the production a fifteen-episode straight-to-series order for The Pitt, overseen by John Wells Productions in association with Warner Bros. Television. Each episode had a reported budget of US$4 million to US$6 million dollars. Bloys explained that the lower per-episode budget made it possible to order more episodes than is typical for streaming services. Gemmill, Wells, and Wyle are the executive producers along with Simran Baidwan, Michael Hissrich, and Erin Jontow. Credited as The Pitt's creator, Gemmill wrote the pilot episode and serves as the series' showrunner. In February 2025, Max ordered a second season of The Pitt. The season chronicles a shift in the ER on Independence Day—Langdon's first day at work after going to an inpatient rehabilitation facility. Wyle explained their choice, saying: "The biggest driver of [the Season 2 time jump is] Langdon ... Nine, basically 10 months later, gives a lot of room for us to have developed a few stories in the interim and catch up with everyone. And with it being Langdon's first day back, we get to catch up as he catches up with all those people." In January 2026, a day before the second-season premiere, Max renewed the series for a third season.

Filming

To design The Pitt's sets, Wells approached production designer Nina Ruscio, with whom he had previously worked on Shameless (2011–2021) and Animal Kingdom (2016–2022). Ruscio had already committed to other productions, but agreed to Wells' request to provide an initial blueprint of The Pitt's main set, the ER; the writers used it to track the development of the characters' storylines across space hour by hour, before even beginning to work on the script. Ultimately, Ruscio managed to join the production and met with Gemmill, Hissrich, Wells, and Wyle to discuss the details. The team informed her of their plan to shoot in continuity with handheld cameras, therefore requiring a set with capacity for freedom of movement. They decided that the ER would have last been remodeled in 2010, so it did not include any advancements that were developed during the COVID-19 pandemic. Ruscio planned to create a transparent space with full visibility from all angles to allow for filming of simultaneous foreground and background action. She researched hospital designs with the help of Sachs and visited several ERs to create a functional set without the guidance of a script—a first for Ruscio and an uncommon approach in the television industry.

A team of about 125 people built the 25-bed ER, occupying over 20,000 square feet (1,900 m2), on a sound stage owned by Warner Bros. in Burbank, California, in ten weeks. The waiting room and the trauma center were built on another sound stage next to the ER. The overall set cost over $4 million. Ruscio focused on five main aspects of the set: the palette, the floor, the lighting, the ceiling, and the layout. For the color palette and the lighting, she worked with The Pitt's cinematographer Johanna Coelho. Ruscio said she selected a realistic, bleached palette to convey the sterile feeling of entering an ER. Ruscio and Coelho then did a camera test to select the final fifty shades of white that worked best with the widest range of skin tones and with the LED light system that would be used. Moreover, Ruscio incorporated other tones: cream, gray, and blue for the floors; wood for the walls; and occasionally gray, yellow, and black, which are Pittsburgh's colors. For the light system, Ruscio and Coelho created custom, adjustable bi-color LED strips that made up an integrated ceiling rig of 300 lighting cues along with warmer overhead practical lights that provide contrast. The combined use of the top lighting, the white palette of the setting, and the darker palette of the wardrobe served to make the actors stand out and highlight both foreground and background action. Lyn Paolo served as costume designer.

For the layout, Ruscio collaborated with art director Josh Lusby, set designer Dean Wolcott, set decorator Matt Callahan, and prop master Rick Ladomade. She envisioned what she defines a "cup and curve" layout of the set, with curvilinear floors and ceilings that guide the eye of the viewer and allow freedom of movement while filming. Ruscio designed each set element with Lusby and Wolcott, paying attention to the ergonomics of an ER. Ruscio incorporated in the set architectural references to Pittsburgh, in particular to Allegheny General Hospital, which was selected as the exterior of the fictional hospital. She used marble columns to figuratively convey how the Pitt—located in the hospital's basement—both supports the structure and bears its burdens. Callahan and Ladomade reached out to medical equipment manufacturers to furnish the facility, striving to replicate the precise layout of a real medical facility. The team personally designed and built the nurses' station. To portray accurately the medical procedures, The Pitt uses almost exclusively practical effects with few modifications in post-production. The team collaborated with special effects company Autonomous FX to create several of the prosthetics featured in the series.

Filming for the second season began in Burbank on June 16, 2025.

Writing

Baidwan, Gemmill, Sachs, and Wyle constituted a writers' room by December 2023, along with Cynthia Adarkwa, Valerie Chu, and Elyssa Gershman. The team collaborated extensively on developing narratively and spatially the continuous structure of The Pitt, by storyboarding and tracking each patient's journey along with the background action happening in the ER. Sachs described the process of writing an episode: each writer would prepare an outline for specific episodes usually consisting of a maximum of two lines for each scene; review them with the staff; consult with medical experts for information on technical dialogue; write a first draft; review the draft with the team after two weeks; and keep rewriting drafts until it could go to production. Sachs and Gemmill stated that the writers started by defining the main characters' arcs and later established which medical case best fit their journey and illustrated their qualities in a brief period of time. By using real-time narration, Gemmill sought to highlight the importance of time, which he believed set emergency medicine apart from other medical specialties. Sachs said that the writers used the narrative device to build suspense by extending some patients' storylines across multiple episodes while suddenly ending others. After writing the episodes, the staff consulted with Wells on both writing and production.

The team reunited in the writers' room in March 2025 for the second season; Herbert joined the writing staff for the first time. Wyle wrote two episodes in the second season, having also written two for the first. He additionally directed the sixth episode. In August 2025, it was announced that Shawn Hatosy, who plays a recurring role as Dr. Jack Abbot, directed the ninth episode of the second season.

The series also develops Robby's Jewish identity: in the first season he recites the Shema during a low point, while a second-season episode written by Wyle addresses Robby's complicated relationship with Jewish faith.

Casting

Wyle took an active part in the casting process along with casting director Cathy Sandrich Gelfond, aiming to recreate with the new ensemble the camaraderie that he had shared with the ER cast. He wrote a mission statement for prospective actors, which declared: "This is a very specific type of show. It's intense. It's fast-paced. It's like theater. We are a group of players. If you can be a team player who is ready to lock in with a family, then this is the place for you." Additionally, Wyle emphasized the physicality of the roles and the preference for actors with experience working in theater and handling props. Due to the continuous structure of the series, the casting call for extras asked for actors with open availability for seven months, instead of the few days usually requested in other television productions. For the series regulars, The Pitt advertised in the casting call a two-tier fixed salary system, with per-episode fees of $50,000 and $35,000 depending on the role.

In July 2024, Tracy Ifeachor, Patrick Ball, Supriya Ganesh, Fiona Dourif, Taylor Dearden, Isa Briones, Gerran Howell, Shabana Azeez, and Katherine LaNasa were announced to have joined the cast as series regulars. In August 2024, Shawn Hatosy, Michael Hyatt, Jalen Thomas Brooks, Brandon Mendez Homer, Kristin Villanueva, Amielynn Abellera, Alexandra Metz, Krystel V. McNeil, and Deepti Gupta were announced to have been cast in recurring roles. Before the start of production, the cast spent two weeks with three ER doctors learning various medical techniques, such as suturing, intubation, medical ultrasonography, and CPR; extras also received medical training.

In May 2025, the casting process for the second season began. The boot camp for the second season began on June 1, 2025. In June 2025, Charles Baker, Irene Choi, Laëtitia Hollard, and Lucas Iverson were cast in recurring capacities while Sepideh Moafi was cast as a new series regular for the second season. In July 2025, it was reported that Ifeachor exited the series. In the same month, Lawrence Robinson joined the cast in a recurring role for the second season. In August 2025, Zack Morris was cast in a recurring capacity. In September 2025, Victor Rivas Rivers joined the cast as a guest star for the second season. In December 2025, Brittany Allen, Bonita Friedericy, Taylor Handley, Jeff Kober, Meta Golding, Luke Tennie, Christopher Thornton, Travis Van Winkle, Rusty Schwimmer, Jayne Taini, and Annabelle Toomey were cast in recurring roles for the second season. In February 2026, Jona Xiao joined the cast as a guest star for the second season. In March 2026, Lou Ferrigno Jr., David Fumero, Mary McCormack, Geoffrey Owens, and Wyle's real-life wife Sara Wyle were announced as guest stars for the second season. In April 2026, it was announced that Ganesh would exit as Dr. Samira Mohan following the second season, with Ayesha Harris promoted to a series regular for third season. In June 2026, Pruitt Taylor Vince, Malachi Beasley, Cheyenne Perez, Jeremy Radin, Charlz Williams, and Rosanny Zayas were cast in recurring capacities for the third season.

Sound design and music

Before writing the script, Gemmill, Wells, and Wyle decided to use almost no background music in The Pitt to complement its documentary style. Instead, Gemmill, Sachs, and Wells focused on crafting faithful sound design that could directly convey the emotional cues usually imbued in the music and set the pace of the scenes. It involved recording and layering background conversations and machinery sounds beneath each episode's dialogue track. The team used the sound of medical procedures and the dialogue itself to dictate the show's rhythm, relying on the varying intensity of the actors' delivery of medical jargon to relay emotional cues. For the background, Sachs recorded the discussions of real-life ER nurses and gave them to extras to register.

Nevertheless, The Pitt employs some musical motifs and drones composed by Gavin Brivik, intended to blur the line between diegetic and non-diegetic music. The team asked Brivik to create an imperceptible score to occasionally increase the tension of specific scenes throughout the series. Additionally, they meant to capture the sensation of Robby's tinnitus at times. The official album consisting of Brivik's score for the first season was released on January 9, 2026.

Instead of using an opening theme, each episode of The Pitt starts with a simple title card followed by onscreen text stating what hour of the shift it covers. The first season featured an instrumental closing song, "Fail Forward", written by Brivik and singer-songwriter Taji with the aim of expressing Robby's feelings and giving the viewers a moment to reflect on each episode. The vocal version of "Fail Forward" played during the credits of the thirteenth episode. Three other songs were featured in the first season: "Baby" by Robert Bradley's Blackwater Surprise, "Funky Music Sho' 'Nuff Turns Me On" by Edwin Starr, and "Savage" by Megan Thee Stallion.

The second season premiere opened with "Better Off Without You" by Pittsburgh band The Clarks. Brivik composed two new instrumental pieces for season 2, "We Are Back" and "Fourth of July", which alternately play over the closing credits of each episode. Additionally, Brivik and American singer-songwriter Andrew Bird collaborated on the song "Need Someone", which was written for the series and played at the end of the sixth episode of season 2.

เนื้อหาส่วนนี้มาจากบทความ "The Pitt" ในวิกิพีเดีย (en.wikipedia.org) เผยแพร่ภายใต้สัญญาอนุญาตครีเอทีฟคอมมอนส์ แสดงที่มา-อนุญาตแบบเดียวกัน 4.0 (creativecommons.org/licenses/by-sa/4.0) มีการตัดส่วนอ้างอิงและจัดรูปแบบใหม่

คำถามที่พบบ่อยเกี่ยวกับ The Pitt เดอะ พิตต์: นรกอีอาร์

The Pitt เดอะ พิตต์: นรกอีอาร์ มีกี่ตอน?

The Pitt เดอะ พิตต์: นรกอีอาร์ มีทั้งหมด 30 ตอน รวม 3 ซีซัน สถานะปัจจุบัน: ยังฉายอยู่

The Pitt เดอะ พิตต์: นรกอีอาร์ ฉายวันไหน?

The Pitt เดอะ พิตต์: นรกอีอาร์ เริ่มออกอากาศครั้งแรกวันที่ 9 มกราคม 2568

The Pitt เดอะ พิตต์: นรกอีอาร์ ดูได้ที่ไหน?

ในประเทศไทยรับชม The Pitt เดอะ พิตต์: นรกอีอาร์ แบบถูกลิขสิทธิ์ได้ที่ HBO Max

หมวดแนะนำ: อนิเมะใหม่ · เรื่องถัดไป: PoppetsTown

ซีรี่ย์ที่คล้ายกับ The Pitt เดอะ พิตต์: นรกอีอาร์